Dutch Painter, 1682-1749 Dutch painter of still life and landscapes. His father was Justus van Huysum (1659?C1716), a successful landscape and genre painter of Amsterdam. Although he painted landscapes in a classical style, Jan is best known for his flower and fruit still lifes in oil and in watercolor. These are distinguished for their brilliant light and shade effects, delicacy of coloring, and exquisite finish. They are to be found in most of the leading European museums  Related Paintings of HUYSUM, Jan van :. | Vase of Flowers | Flowers in a Terracotta Vase | Vase of Flowers af | Vase with Flowers sg | Basket of Flowers sf |
Related Artists:
Wilhelm Hammershoi
Danish 1864-1916 The son of a well-to-do merchant, Christian Hammershøi and his wife, Frederikke (n??e Rentzmann), Vilhelm studied drawing from the age of eight with Neils Christian Kierkegaard and Holger Grønvold, as well as painting with Vilhelm Kyhn, before embarking on studies with Frederik Vermehren and others at the Royal Danish Academy of Fine Arts. From 1883 to 1885, he studied with Peder Severin Krøyer at the Independent Study Schools, then debuted in the Charlottenborg Exhibition in the spring of 1885 with Portrait of a Young Girl (his sister, Anna; Pierre Auguste Renoir is reported to have admired this painting). Hammershøi married Ida Ilsted in 1891.
Auguste Bigand
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Eugene Fromentin
1820-1876 He was born in La Rochelle. After leaving school he studied for some years under Louis Cabat, the landscape painter. Fromentin was one of the earliest pictorial interpreters of Algeria, having been able, while quite young, to visit the land and people that suggested the subjects of most of his works, and to store his memory as well as his portfolio with the picturesque and characteristic details of North African life. In 1849 he obtained a medal of the second class. In 1852 he paid a second visit to Algeria, accompanying an archaeological mission, and then completed that minute study of the scenery of the country and of the habits of its people which enabled him to give to his after-work the realistic accuracy that comes from intimate knowledge. In a certain sense his works are contributions to ethnological science as much as they are works of art.